It's been a while....
Hello, I'm aware that it's been absolutely ages since I last posted on this blog, so am here to remedy that now! I've been working hard on the concerto and have been making good progress: I'm hoping to finish the second movement by the end of next week (although I haven't finished the first yet!)
I spent a lot of time thinking about what to base each movement on, and have relied heavily on all the ideas that the children in all the schools Bobby and I went to gave us. So, the first movement will recreate and journey that we took in improvisation up Bray Head: first, walking along the promenade, then climbing up and seeing the panoramic views and beautiful scenery. But I'll talk more about this in another post as it's not at the forefront of my mind at the moment. I have rough sketches of most of this movement but decided to head on to the second which I'm immersed in now (I wouldn't usually do this, preferring to finish each movement before going onto the next, but, because I'm slightly nervous about writing such a long piece, I decided to try and plough through the minutes, even if they are not completely full of all the notes yet).
The second movement will be less programmatic, and is inspired by my walk across the Greystones Cliffs when I was in the area for the final round interview. At the top there was such a feeling of space and freedom and this is the mood that I want to recreate in the second movement. The cliffs are represented in a way: I'm writing chords with huge ranges for Bobby to play at the beginning which will hopefully evoke their hugeness, and much of the harmony is based on the colours in the scenery (as I may have said before, I associate certain harmonies with certain colours: blue is D for me, E is green, C is white, A is yellow. These are the colours of the sea, the cliffs, and the grasses and gorse that cover the cliffs). This movement is much less 'busy' than anything I've written for a while, which is quite nerve wracking in a way (I always worry that people will get bored!) but I think it is essential if the feeling of space is to be conveyed. Another thing I am trying to do is make chords that could be considered dissonant sound consonant: I'm aiming for a 'majory' sound that is just slightly skewiff!
Before writing the piece I did a lot of reading about everything associated with Bray Head and the Greystones cliffs. I've learnt what types of minerals they are made of, the different types of birds that live there (some rare) and about the History of Bray itself (in fact, various spellings of the town provide the musical material of the first movement). I've had quite a lot of fun hiding words in the pieces - in addition to various forms of the names of the towns, my name and Bobby's initials appear in the second movement! I also spent a while transcribing the bird calls of the species that make the cliffs their homes, and they will appear in the second section of the movement.
Anyway, today was a bit of a slow day, mainly because the hedge was being cut and the noise of the wood-chipping machine outside wasn't tremendously helpful! But I managed to write a series of six chords that I'm pleased with, and am still hopefully on track to finish the second movement by early next week at the latest. I shall endeavour to keep this a bit more up to date from now on!
Cheryl :)











