- Chamber
My Day In Hell
(string quartet)
The Ogre Lover
(string trio)
My Fleeting Angel
(piano trio)
The Glory Tree
(Sop., fl., (picc.), cl., (bass), Vln, Vc, Pno)
Kontakion
(Double bass quartet)
Three fragments
(Double bass quartet)
Vocalise
(sop., fl., harp)
Memoria
(ob./Cor., vln., vla., vc., pno.)
Melancholia
(piano trio)
Tread Softly
(fl (picc., alto), clar (bass), vln, vla, vc, pno and perc.)
- Solo/Duo
- Orchestral
- Opera/Vocal
-
Psalm No.1
(Choir)
-
Family Matters
(Sop., tenor, bar., bass, cl. (bass), perc.,pno., vc.)
Broken Lines: sonata for opera
(sop., tenor, Bass-Bar., etc)
Nunc Dimittis
(for 21-voice choir)
There is no rose
(SATB choir)
- Dance
String Quartet No. 2
Ballet Suite 1
(String Orchestra)
Performance
Premiered by Catriona Scott at the 2008 Presteigne Festival, Wales
Bouleumata
Shortly before writing this piece I reached the final of a competition to compose the music for the Cambridge Greek Play, which happened to be Medea that year. Although I didn’t end up winning, Euripides’ play stunned me with its depiction of Medea, a woman who kills her two children to spite her husband Jason (who has just left her for a Corinthian princess). This piece was inspired by the wildly contrasting emotions that Medea experiences during a monologue immediately preceding the double-murder: that she can’t possibly go through with it, but that she must in order to punish her enemies. In one passage she says “I understand that what I am about to do is wrong, but my thumos (emotion) has vanquished my bouleumata (ability to deliberate).